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New Times / MusicThe following articles were printed from New Times [newtimesslo.com] - Volume 22, Issue 40
True gritTexas troubadour Eric Taylor plays a trifecta of local concertsGLEN STARKEYEric Taylor’s got grit and heart and soul dripping out of every song he sings—melancholy narrative tales richly rendered by his spare guitar and rustic voice. He sounds like he’s from Nashville or Austin or some other literate singer-songwriter’s Mecca (Houston, anyone?). If you’re a fan of Bruce Cockburn, Taylor’s right up your alley. This week choose between three concerts by Eric Taylor, who’s touring in support of Hollywood Pocketknife, a collection of potent, stick-to-your-ribs country-flavored folk songs. SLO Folks has him playing Friday, May 9 at Coalesce Bookstore in Morro Bay (7 p.m.; $15; 772-2880) and Saturday, May 10 at the SLO Arts Center (7 p.m.; $16.50 advance at Boo Boo’s; $18 at the door). You can also see him on Sunday, May 11 at the Henry Miller Library in Big Sur (3 p.m.; $15, 831-667-2574, or online at www.henrymiller.org). Earle, one of the greatest living songwriters, said, “Eric Taylor was one of my heroes and teachers when I started playing around Houston in the early 1970s. He’s the real deal.” High praise from a guy who’s the real deal himself! Sonnie Brown will interview Taylor on KCBX 90.1FM on the “Minstrel Song Show” on Saturday, May 10, between 2 and 4 p.m.
The Red Barn Community Music Series presents blues guitarist/ ukulele player Del Rey this Saturday, May 10 at the Red Barn in the South Bay Community Park, Los Osos. Del Rey is something of a renaissance woman. She combines country blues, stride piano, classic jazz, and hillbilly boogie channeled through “the sensibility of an autodidact trailer park esthete.” She also regularly presents a concert/lecture on women musicians called Women in American Music, collaborates and tours frequently with Austin guitarist Steve James, and plays ukulele with Ukeshack. Since 2004, she’s been collaborating with Maria Muldaur on tributes to Sister Rosetta Tharpe and Johnny Cash, and she is featured on Muldaur’s “Sweet Lovin’ Old Soul.” And to top it off she also writes about music for various publications, including Acoustic Guitar. Entrance for the 7 p.m. concert is $10, and there’s a 6 p.m. potluck for those interested.
“We’ve never hosted a CD release party at M·sica Del RÌo before,” said Munroe. “We heard Rachel was releasing her second CD Patience Pays this spring and the wheels just started rolling. When we’ve listened to Rachel at Linnaea’s Cafe or Last Stage West with her many friends wedged in by shoehorn, we got an idea–‘Rachel, we have a free Saturday in May, let’s have a party.’ “Because it’s a release party, everyone gets a CD as a thank you for supporting Rachel and live acoustic music with their $20 donation.†Patience Pays is just out this month. Her debut Lucky Like Me is also well worth your attention and everyone gets to choose which CD they want to take home. Bring a friend or your partner and that way you can take home one of each.” Sedacca will be joined by Mark Parson on the fiddle and guitar, and Danny Wilson on the mandolin and acoustic bass. Call 466-6941 for reservations, or go online at www.musicadelrio.org.
Ian McFeron, a prolific songwriter who’s drawn comparisons to Bob Dylan and Ryan Adams, returns to SLO Town for a Tuesday, May 13, 10:30 p.m. gig at Frog and Peach. His CDs include Don’t Look Back (2003), A Long Way To Freedom (2005), Fistfight With Father Time (2006), and most recently Let It Ride (2007). McFeron (vocals, guitar, piano) will be joined by the Texas fiddler Alisa Milner, bassist Jon Markel, and drummer Mark Bateman. Like so many hard-touring bands these days, McFeron and company are working hard to be as ecologically-conscious as possible, hiring Frybrid, a Seattle-based alternative fuel company, to outfit their diesel tour bus with a heated fuel tank, fuel lines, and fuel injectors that will allow it to run on straight vegetable oil. You can pick up literature on their fuel conversion plans and how fans can help them become carbon neutral this fall.
What’s on the bill? “If I Were A Black Man” sung to the tune of “If I Were A Rich Man”; “Stand By Japan” sung to the tune of “Stand By Your Man”; “Oh What a Beautiful Mormon,” based on the Oklahoma! hit; and the spoof to the tune of “Help Me Make It Through the Night”—“Help Me Fake It To The Right.” See The Capitol Steps next Thursday, May 15, at 8 p.m. in the Cohan Center at the PAC. Tickets are $32 to $44. Get them at the PAC Ticket Office or by calling 756-2787. More music
Cambria resident James “Red” Holloway is certainly SLO County’s most famous jazz artist. He’s played with everyone from Dexter Gordon to Lionel Hampton, Jack McDuff to Billie Holiday, Ben Webster to Sonny Rollins, Lester Young to Sonny Stitt. See the saxophone king when he plays with the Mike Raynor Group on Friday, May 9 at the Inn at Morro Bay. The show starts at 7:30 p.m. and it’s free. For more details go to www.CityNightsJazz.com. If you like your rock’n’roll dangerous, unrestrained, and filled with sexual innuendo, then wooooooeeeeeee does Sexytime Explosion have a show for you. The Turbo Negro tribute act will play Friday, May 9 at Downtown Brew along with Honor Bound Heroes, Eken is Dead, and Broadway Squad to celebrate local concert promoter Damien Montoya’s birthday. He’s 12 years old emotionally! He’s probably armed! And he’s definitely dangerous! Gotta be 21 for this one, kids. Doors open at 8 p.m. A young twanged-out gal from Atlanta—Anna Kramer—will bring her rootsy, jangly, countrified sounds to Boo Boo Records for a 3 p.m. free in-store concert this Saturday, May 10. Kramer, a Criminal Records recording artist, is touring in support of her new 7” single “All Those Pretty Things,” and a full-length recording called The Rustic Contemporary Sounds of Anna Kramer & The Lost Cause.
Zongo All-Stars, who got the Pozo crowd up and moving before the Twinkle Brothers played a couple of weeks ago, will bust out the CaliCubano jams at Sweet Springs Saloon this Saturday, May 10 about 9 p.m. Lindsay Ann White plays Linnaea’s CafÈ this Mother’s Day, Sunday, May 11, at 7 p.m. She lists Bob Dylan, Amy Winehouse, Ani Difranco, Fiona Apple, Jewel, John Prine, Al Stewart, and Joni Mitchell as influences, but her song “Sweet the Sound” that I listened to on her myspace (www.myspace.com/lindsayannwhite) reminded me of the Moldy Peaches! The Clubhouse hosts its regular Songwriters Showcase this Tuesday, May 13 from 6:30 to 9:30 p.m. This week Craig Louis Dingman is the featured performer, who will be joined by local songsmiths during this free, all-ages concert. Each showcase includes one featured act, who plays a 45-minute set in the middle of the three-hour show. Up to eight other guest performers play three-song sets. Dingman, an Atascadero resident, was a Best Song winner at the West Coast Songwriters Competition. He plays jazz chords on a hollow-body electric guitar, and sings “wry, literate ballads in the style of Mose Allison or Dave Frishberg.” †Guest performers will include a female duo called The Blue-Eyed Betties, and local songwriters Robbin West and Monica Jensen. CD Reviews Numero Group, the Indiana Jones of the recording industry, has once again struck a unique vein of immeasurable wealth. In the mid-‘70s, a contingency of American-born Israeli Black Hebrews picked up their belongings and departed for Dimona, Israel, but not before packing all the sounds of their native Detroit and Chicago. Devotional without being heavy handed in religious piety, Soul Messages From Dimona is a collection of the spiritual sound arriving from their new colony, resembling such acts as Earth Wind and Fire, and the eastern influences developing within several threads of ‘70s jazz. With 10 tracks featuring the funky upbeat the Soul Messengers, who can alternate between sounding like the Curtis Mayfield-led Impressions ("Go To Proclaim") or the early Chicago-based soul jazz of The Pharaohs ("Equilibrium"), this will delight fans of Stax and Motown. The Tonistics "Holding On" resemble the dance harmonies of the Jackson Five, but the warm, soul charm of "Hey There" by the Sons Of The Kingdom is easily worth the price of admission. It’s an amazing collection.
Hip-hop shares with jazz the nagging difficulty of having its most critically acclaimed artists rarely being its commercial success stories. The Roots deserve to be embittered. Fronted with the incendiary lyrics of Black Thought and backed with the master musicianship and charm of epic drummer Questlove, they’ve released albums destined to be classics, but largely ignored by commercial radio. With their latest, Rising Down, there is still, honorably, no attempt to go pop or to soften their aggressive live band sound. In fact, with lyrics dissecting global environmental catastrophe ("between the greenhouse gases/ and earth spinning off its axis"), suicide bombing ("willing to spill my blood to make changes"), and African boys turned armed militia ("his heart can’t get through the years of scar tissue"), Rising Down can seem darkly sinister, with music that is gritty and tough. This is not an easy album to digest, but a necessary one. But one listen to the Black Thought’s 1987 a cappella freestyle track "@15" and you’ll feel the honor was truly yours. —Malik Miko Thorne, of Boo Boo Records and KCBX’s "Night Train." Glen Starkey has this sneaking suspicion that he‘s getting screwed while everyone else is getting laid. Reassure him he’s right at gstarkey@newtimesslo.com.
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